In Ashby looking for

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Time and again, Ashby stresses his desire to remain hands-off in his direction of actors and their instincts. The more input you could get, the better it is. As a director whose talents were honed over 15 years in the editing room working largely with Norman Jewisonhe was, in the end, the person who gave his work its final luminescence when others edited his films without his input, the movies were unsuccessful.

Ashby may have been hands-off but, in the end, only Ashby carried the entire movie in his head. An LA Weekly piece on the ruination of 8 Million Ways to Die shows Ashby, at the tail end of his career after a calamitous liaison with the duplicitous Lorimar, as sane and laid-back as ever.

In Ashby looking for

As this Taschen volume makes clear, the Master of Suspense remains appealing to cineastes young and old, with plus features underscoring his timeless ingenuity. Author Gwenda Young makes the case that from the silent era to the golden age, Clarence Brown deserves a place among the giants. The making of George Stevens' Texas-sized epic is recounted in Don Graham's meticulously chronicled book. Joseph McBride, who has written magisterial biographies on John Ford, Frank Capra and Steven Spielberg, has put together a collection of his journalistic work through the decades.

John Fithian, president of the National Association of Theatre Owners, talks about the future of moviegoing as we know it. Weighing in at s, this venerable compendium subscribes to the idea that noir pertains to tone and features profiles of a wide array of films. Naremore's close-reading and contextualization of the film make Sweet Smell of Success seem like a heroic victory over its producers' own worst instincts and an even more remarkable achievement than we already believed. Starting out in an Aussie industry that barely existed, Peter Weir has traveled the world looking for the revelatory moment and deeper truth.

In Ashby looking for

In films like Master and Commander and Dead Poets Society, he found people who—like himself—never play it safe. The Guild. DGA Quarterly. Tweet This! Share on Facebook. The best of new publications by, for, and about directors, their teams and the industry. More from this topic. Fall Hooked on Hitch. Spring Lubitsch's Timeless Appeal.

In Ashby looking for

Summer Giant Steps. Kubrick's Napoleon Complex. More from this issue. View the Summer Issue. The Theater Experience.

In Ashby looking for

The Film Noir Encyclopedia. Hal Ashby: Interviews. Sweet Smell of Success. Less and More. Final Cuts. Uncommon Man. All Rights Reserved. Your use of this site is bound by the terms and conditions set forth by the Directors Guild of America.

In Ashby looking for

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Hal Ashby’s American Pictures: The Realistic Magic of the s’ Finest Director